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This is why, when chroma keying, one often uses a green or blue
background. White is just too difficult to work with.
On 5/24/12 2:41 PM, McLauchlan, Kevin wrote:
> I've tried E-size plotter paper, fabric, "white" walls, etc.
> Those attempts - regardless of what light sources I could
> bring to bear - simply confirmed what I already knew about
> single-color surfaces really being an infinite range of
> tones, or shades of gray, as angle and distance from light
> source vary.
--
Dossy Shiobara | "He realized the fastest way to change
dossy -at- panoptic -dot- com | is to laugh at your own folly -- then you http://panoptic.com/ | can let go and quickly move on." (p. 70)
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